Thou Wilt Have A Perfectly OK Time With The Bette-Middling ‘Hocus Pocus 2’

Thou wilt have a perfectly OK time with the Bette-middling ‘Hocus Pocus 2’
Thou wilt have a perfectly OK time with the Bette-middling ‘Hocus Pocus 2’

Thou wilt have a perfectly OK time with the Bette-middling ‘Hocus Pocus 2’

One of those coincidences that lead me to suspect witchcraft — or perhaps just the more taboo black magic of social media — this week sparked some heated online chatter that has been renewed.

 One of them is James Cameron’s 3-D wonderment “Avatar” (2009), which recently returned to theaters as a warm-up act for “Avatar: The Way of Water.” The soon-to-be sequel will examine some of the more consistent putdowns of the first “Avatar,” namely that it was a rare box-office juggernaut with little to no pop-cultural imprint. It was an event film that everyone saw, arguably, but few loved. But unlike “Avatar,” “Hocus Pocus” set no box office records upon release, broke no technical ground and was mostly indifferent to hostile reviews. 

A 10-year-old me who saw it in theaters (and countless times on VHS after that) would have provided a much more enthusiastic note, given its eerily creepy vibes, its now-cracking visual effects, and screams. Bette Midler, Kathy Najimy, and Sarah Jessica Parker’s relationship as the Sanderson Sisters, a trio of 17th-century New England witches, has a taste for toddlers and archaic second-person singular pronouns.

Minnie, Me would also have been delighted at the prospect of a sequel, if disappointed to hear it would take nearly 30 years to get off the ground. This long gestation speaks to the long, strange shelf life of the first “Hocus Pocus,” which was received as a campy misfire but has, over the decades, reemerged as a Halloween staple and (oc)cult classic.

 It was claimed. It featured fan guides, TV specials, theme park attractions, and wildly popular anniversary specials, some of which featured your old original cast and crew. Parker even launched his own spin-off sitcom, “Hex and the City.” Well, I made it.

Print One of those coincidences that lead me to suspect witchcraft — or perhaps just the black magic of social media — sparked some heated online chatter this week about the dubious cultural legacies of two very different films. has been renewed is one of them.

James Cameron’s 3-D wonderment “Avatar” (2009), which recently returned to theaters as a warm-up act for “Avatar: The Way of Water.” The soon-to-be sequel will examine some of the more consistent putdowns of the first “Avatar,” namely that it was a rare box-office juggernaut with little to no pop-cultural imprint. It was an event film that everyone saw, arguably, but few loved.

In a sort of coincidence that leads me to suspect witchcraft — or perhaps just the extra dark magic of social media — this week renewed some heated online chatter about the dubious cultural 

legacies of two very different motion pictures.

 Who is Certainly one of them is James Cameron’s 3-D wonderment “Avatar” (2009), which recently returned to theaters as a warm-up act for “Avatar: The Approach to Water.”

Thou wilt have a perfectly OK time with the Bette-middling ‘Hocus Pocus 2’
Thou wilt have a perfectly OK time with the Bette-middling ‘Hocus Pocus 2’

 That soon-to-be sequel will take a look at a few of the additional permanent putdowns of the primary “Avatar,” particularly that it was an unremarkable field workplace juggernaut with virtually no pop cultural imprint. It was an opportunity film that everyone saw, arguably, but few loved.

Its opposite is the family-friendly supernatural comedy “Hocus Pocus” (1993), which, like “Avatar,” has now spawned a long-awaited sequel. Unlike “Avatar,” however, “Hocus Pocus” set no field workplace information at launch, broke no technical milestones, and achieved a largely detached hostile assessment.

 A 10-year-old me who saw it in theaters (and numerous instances on VHS after that) would have equipped one of the many extra-exciting notes, given its absurdly spooky vibes, its now-cracking-looking results, and Must have gotten from a screaming relationship.

 Bette Midler, Kathy Najimy, and Sarah Jessica Parker as the Sanderson Sisters, a trio of 17th-century New England witches with a penchant for juvenile delinquency and archaic second-person singular pronouns.

Mini-me would also have been delighted at the prospect of a sequel if she was disappointed to hear it might take nearly 30 years to get off the ground. This long gestation speaks to the long, strange shelf life of the original “Hocus Pocus”, which was received as a campy misfire, but, over the long term, became a staple of Halloween and (oc)traditional. 

Reclaimed as a cult. It featured fan guides, TV specials, theme park points of interest, and massive anniversary screenings, some of which were attended by old unique solids and crew. Parker even launched his own spin-off sitcom, “Hex and Metropolis.” Well, I made it.

Belisa Escobedo, Whitney Peck, and Lilia Buckingham in “Hocus Pocus 2.”

(Disney Enterprises)

Regardless of all that, the charisma of “Hocus Pocus” remains unsettling to many, its hallmark being a steady supply of cynicism. “Hocus Pocus 2,” coming to Disney+ this week, isn’t likely to clear up anyone’s confusion.

 However, neither will it make anyone too sad. Directed by Anne Fletcher (“The Proposal,” “27 Clothes”) from a script by Jean D’Angelo, the film is a lean but painstaking take on its spin-off story in a well-known trope of fan satisfaction. Wrapped up. It begins in 17th-century Salem, Mass., where a mischievous teenager, Winifred Sanderson (an excellent Taylor Henderson), runs away into the woods with her sisters, Mary (Nina Kitchen) and Sarah (Jojo Journey Brenner).

Thou wilt have a perfectly OK time with the Bette-middling ‘Hocus Pocus 2’
Thou wilt have a perfectly OK time with the Bette-middling ‘Hocus Pocus 2’

 There they meet an old witch (“Ted Lasso’s” Hannah Waddingham) who teaches them a magical spell that can unlock their dark powers.

Flash forward to the present day, exactly 29 years after the occasion of the primary “hocus pocus,” when a virginal overachiever brings the Sanderson Sisters to life one Halloween evening.

 In “Hocus Pocus 2,” it happens again, this time with a somewhat smart young woman, Becca (Whitney Peak), and a really dumb Salem historian, Gilbert (Sam Richardson), along with some tough story logic that evil.

 gives birth to The sisters are moving towards life again. Because of Winifred’s lip-smacking, chanting, Midler finds himself anew in the gorge and usually blasts her with a bolt of lightning. Najimy and Parker are again dopey Mary and Dizzy Sarah, respectively, who live to seduce young men and lure them to their delicious deaths.

The Sandersons’ shtick — half Three Stooges slapstick, half “Saturday Night Time Stay” parody “The Crucible” — isn’t any smarter or more impressive than the first film, but Midler, Najimy, and Parker stay that way. The entertainers are so adept at vampy moves and menacing facial expressions that you won’t care. 

They’re notably hilarious in a sequence in which Becca and her friend, Izzy (Belisa Escobedo), try to distract the witches from their pesticidal rampage by shopping at Walgreens, where they’re blessed with high witchcraft. . Exquisite merchandise and automatic sliding doors.

(Matt Kennedy)

Aside from some issues with the town’s gleefully Halloween-obsessed mayor (Tony Hale), it’s all about narrative novelty. “Hocus Pocus” diehards were stunned by the reappearance of Winfred’s undead paramour, Billy Butcherson (Doug Jones, lean, inexperienced, and unremarkable as he was in the first film).

 And after their 1993 hit “I put a Spell on You,” when all the witches are forced to reenact their Vegas-style lounge act, this time the Sanderson Sisters’ themed costume contest crashes. (What else?) A self-congratulatory eye on how widespread the “hocus pocus” phenomenon has become.

It has also thrived in this decently entertaining sequel, which has a milder, more emotional element than its earlier incarnation. Instead of sucking the souls of the relatively innocent youth of Salem, the witches decide to channel their energy with the mother of all magic, and embark on an “Into the Woods”-style quest for substances.

 No one explodes into Sondheim here (a blonde traditional soundtrack is a spotlight), but it’s certainly an admirable change, even with a Sondheimian warning about what you wish for. This violence sets it apart from the mainstream film, as is the truth that no one turns right in the cat this time. For that, we will have “Avatar” all the time.

‘Hocus Pocus 2’

Rated: PG, for movement, macabre/suggestive humor, and some language.

Running time: 1 hour, forty-three minutes

Half Intake: Streaming on Disney+

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In a sort of coincidence that leads me to suspect witchcraft — or maybe just the extra dark magic of social media — this week there’s been some hot online talk about the dubious cultural heritage of two very different motion pictures. The chat has been renewed.

 One of them all is James Cameron’s 3-D wonderment “Avatar” (2009), which just returned to theaters these days as a warm-up for “Avatar: Which Means Water.” This rapidly approaching sequel will take a look at the amount of extra permanent putdowns the primary “Avatar” had, especially since it was an undisciplined office juggernaut with a non-existent pop-cultural imprint. Thou wilt have a

 It was an event film that everyone saw, the argument goes, but few actually loved. Thou wilt have a

Thou wilt have a perfectly OK time with the Bette-middling ‘Hocus Pocus 2’
Thou wilt have a perfectly OK time with the Bette-middling ‘Hocus Pocus 2’

An entirely different film is the home-grown supernatural comedy “Hocus Pocus” (1993), which, like “Avatar,” has now spawned a long-awaited adaptation. Unlike “Avatar,” however, “Hocus Pocus” set no box-office data at launch, broke no technical milestones, and was largely shunned by hostile critics.

 Anyone who saw it in theaters ten years ago (and on multiple occasions on VHS after that) would have provided one of the most exciting notes of all, given its comically creepy vibes, its now-watchable consequences, and As the finale of Bette Midler, Kathy Najimy and Sarah Jessica Parker’s The Sanderson Sisters, a trio of seventeenth-century New England witches juxtaposes with a tendency for archaic second-person singular pronouns. Thou wilt have a.

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Mini-me would have been overjoyed at the prospect of a sequel, too, if he was disappointed to hear it might take nearly 30 years to get off the ground. This long gestation speaks to the long, strange shelf life of the original “Hocus Pocus,” which was received as a campy misfire, but has long since become a Halloween staple and (oc)cult. Thou wilt have a

 was reclaimed as primary. This led to fan guides, TV specials, theme park spots, and a critically acclaimed anniversary screening, a couple of which were attended by your old Unique Fakes and crew. Parker even launched his own spin-off sitcom, “Hex and Metropolis.” Well, I made it. Thou wilt have a

The Sandersons’ chic — half Three Stooges slapstick, half “Saturday Night Duel” parody of “The Crucible” — isn’t as clever or impressive as it was in the original film, but Midler, Najimy, and Parker do. Thou wilt have a

 He lives as a sports actor. , is so adept at vampy moves and terrifying facial contortions that you won’t care. They’re especially hilarious in a sequence in which Becca and her good friend, Izzy (Belisa Escobedo), try to distract the witches from their pedicidal rampage by taking them to Walgreens, where they’re diligent There are. The high magic of exquisite merchandise and automatic sliding doors. Thou wilt have a

Flash forward to the present day, exactly 29 years after the occasion of the primary “hocus pocus,” when a virginal high schooler resurrects the Sanderson sisters for one Halloween night of truly soul-sucking mayhem. 

 That’s what happens in “Hocus Pocus 2,” this time with the extras of a relatively intelligent teenager, Becca (Whitney Peake), and a very dumb Salem historian, Gilbert (Sam Richardson). Brings the evil sisters back to life. As a result of the demolition, and carving of Winifred’s lips, Midler reaches himself into the environment and generally blasts him with a bolt of lightning.

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 Najimy and Parker are again dopey Mary and Dizzy Sarah, respectively, who live to scent the young and lure them to a delicious death.

Regardless of all that, the charms of “Hocus Pocus” remain elusive for a while, its former reputation a constant supply of surprises. “Hocus Pocus 2,” coming to Disney+ this week, isn’t likely to clear up anyone’s confusion. Neither, however, will make anyone very unhappy. Thou wilt have a

Thou Wilt Have A Perfectly OK Time With The Bette-Middling ‘Hocus Pocus 2’

 Directed by Anne Fletcher (“The Proposal,” “27 Dresses”) from a script by Jean D’Angelo, the film is a lean but pain-free film that acknowledges its byproduct story in an effective way to satisfy fans. Covered in cloth. 

It begins in seventeenth-century Salem, Mass., where a shameless teenager Winifred Sanderson (a lovely Taylor Henderson) runs away into the woods together with her sisters, Mary (Nina Kitchen) and Sarah (Jojo Journey Brenner).

 There, they meet an old witch (“Ted Lasso’s” Hannah Waddingham) who sends them a book of magical spells that will unlock their dark powers.

Thou Wilt Have A Perfectly OK Time With The Bette-Middling ‘Hocus Pocus 2’

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